At The Soundproofing Store we speak to customers on a regular basis who are enquiring and needing advice on how to soundproof a garden shed and turn it into a music studio.
The starting point when soundproofing any space and especially important when looking to soundproof a music room or recording studio is 'what is the structure made of'?' If the structure is wood, then this can pose potential problems, the reasons as to why are highlighted below.
There can be a big variation in 'sheds' and timber structures. A flimsy garden shed is going to be different to a more sturdy garden room or summer house. Any wooden frame with more substance and weight will always be a better starting point than a thinner, more flimsy prefabricated timber structure such as a garden shed.
A garden shed does not offer a heavy or substantial enough starting point to soundproof and turn into a music studio. More sturdy wooden structures such as garden rooms can be adapted as they are often much more substantial. If you are unsure if your wooden structure (whether it be a shed, shepherds hut, summerhouse or log cabin) is a suitable structure for a music studio, then feel free to send images and dimensions (ceiling height is important) to us and we will happily advise you.
However, we have successfully soundproofed 100's of garden sheds providing that the structure is more substantial than a standard garden timber shed and there is enough head height for a secondary ceiling.
There are some key steps to follow when soundproofing a music studio within a timber structure:
For optimum results when soundproofing to the high level required for a music studio it is important to create 'a room within a room'. The new soundproof resilient walls of ReductoClips and high mass and vibration absorbing materials are built in front of the existing wooden structure, along with a suspended ceiling and floating floor above the subfloor. Basically creating a soundproof box. This stops any energy vibration from transferring through the structure of the original wooden building and spreading through the walls, floor and ceiling. This is why it's important to soundproof every surface. e.g if you only soundproof the walls the vibration will just travel through the floor and ceiling.
Acoustic mineral doesn't block sound, it is used to absorb sound within the cavities of the timber studio structure. The recommendation would be to remove any existing plasterboard or cladding within the timber structure and fill the exposed frame with acoustic mineral wool. This absorbs any sound within this void from amplifying and resonating within the space.
Acoustic mineral wool is also added between the independent stud frame, ceiling joists and floor joists. More details on each of these can be found below.
As highlighted, it isn't possible to soundproof a flimsy garden shed and turn it into a music or recording studio. However, if the shed or wooden structure is more substantial the recommended solution would be to use the ReductoClip Independent System.
The ReductoClip soundproofing solution is an exceptionally high performing system which can be used on the walls and ceilings to soundproof a music studio.
Whilst delivering an outstanding performance against excessive noise, there are many benefits to the ReductoClip acoustic solution over and above other clip and bar systems:
With concrete floors there is the added benefit of them already having a great deal of mass. The Soundproofing Store have a number of floor solutions which also include thin acoustic solutions to minimise any floor height buildup. However, if the floor is timber then it's a little more complex as the wooden floor doesn't provide the same level of 'natural' soundproofing qualities as that of a heavier floor such as concrete.
Firstly remove the existing wooden floor and add acoustic mineral wool between the joists. Acoustic mineral wool isn't a soundproofing material, but is important to use as it stops any sound reverberating and amplifying within what will effectively become a mini sealed chamber.
Once the acoustic mineral wool has been added and the original wooden floor has been relayed it is important to add a soundproofing product that will add a large amount of mass to the floor.
SoundScreed 28 is an overlay board for timber floors and is used for reducing high levels of airborne sound. This is because of the large amount of mass it adds to the original timber floor. SoundScreed WF28 adds 22kg of mass per m2. The equivalent in weight of two cases of beer per m2 (other 24 packs of cans are available!)
This addition of mass helps to create a barrier to help block loud levels of airborne noise, such as music:
SoundScreed WF28 is a great solution for the timber floors of music studios when blocking airborne noise. However, the recommendation would be to further upgrade the performance of the timber floor by also adding SoundMat 3 Plus or SoundMat 2 Plus on top of the SoundScreed WF28.
Adding one of the SoundMats is beneficial as they add further mass for blocking airborne noise and importantly also add resilience to block impact noise and vibration.
Depending on the ceiling height within the timber structure, there are a couple of options when it comes to soundproofing the ceiling of a music studio and the main principles remain the same:
ReductoClips can be added directly to the joists of the ceiling. However, this depends if the existing timber joists are strong enough to take the weight of the soundproofing which is then added to the ReductoClips and Reducto Furring Channels (similar to the walls solution described at the start).
The thickness of the timber stud frame needs to be thick enough to take the weight of the secondary joists and the thickness is also determined by the size of the timber room being soundproofed.
Windows and doors will always be a weak point as they contain less mass and therefore don't naturally block noise. In a perfect world there would be just one single width door and no windows at all. However, this often isn't realistic if people want a view and/ or natural light within the studio.
If removing windows isn't an option then it is important to double them up. Because of the new soundproofed independent wall on the inside of the timber structure there will be one window on the external structure and another window (secondary glazing on the inside). This will still be a weak point, but this is the best way to minimise this weakness.
The heavier and more mass a door has, the more sound it will block. As with any windows the preferred option would be to double up the door with one door on the external structure and the other door on the internal soundproof wall. Upgrading to heavier fire doors is also recommended.
Acoustic ventilation within a music studio is tricky a it's basically the complete opposite of what is trying to be achieved when soundproofing. With the soundproofing described above the objective is to create an airtight room within a room. A barrier of sealed mass to stop air from passing in and out. When air can pass in and out, so can sound. However, when soundproofing a music studio the likelihood is that acoustic ventilation is needed. The practicalities of a musician in an airtight studio working long hours without any airflow, just isn't an option.
How to achieve the best sound reduction whilst also ventilating a music studio:
The ProSound Acoustic Ventilation System 55dB is an example of an acoustic ventilation system used in music studios which provides the required ventilation, whilst also reducing the transfer of noise.
The weaknesses of a wooden structure as a starting point of a music studio have been highlighted. If the wooden structure is more substantial than the likes of a garden shed then the key steps to soundproof a music studio within a timber structure include:
Should you have any questions, or need any advice on your studio build, please don't hesitate to get in touch with a member of our expert music studio team on (01423) 206208, or via the contact form below.
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